Sunshine was written in one afternoon on a porch in Austin — two guitars, two voices, no plan beyond making something that felt like morning. Maya Rivers took the second verse in a single pass, and that take is the one on the record: unpolished, laughing at the end, harmonies stacked like light through blinds.
Where Wonderland is built for the main stage, Sunshine is built for the drive there. Handclaps, a gospel-tinged bridge, and a chorus that lands in under a minute. It leads the new album sessions and closes the encore on select tour dates, with Maya joining live whenever the routing allows.
